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It was hot, sweaty, smelly and exhausting but it was so worth the wait when those 4 familiar figures appeared out of the white smoke. The 1975 had arrived in our small country and they totally blew the Hard Rock Coliseum away. I can’t count how many times the stage smoked white and everyone was cheering thinking the boys were coming out. It was demoralizing to say the least. Even though an eternity seemed to pass during the wait, once they finally were up on stage, they gave everyone their energy back.
Everyone started jumping to the opening song The City and it did not stop there. The boys from Manchester made us dance with upbeat songs like Milk and She Way Out. They swayed us with the bone-shaking ballads Me and fallingforyou. And the moment every girl in the audience was waiting for, frontman Matty finally giving in to our country’s super hot weather and taking off his shirt.
They just could not stop screaming and that was one of the rare times we would be thankful for Singapore’s weather. The moment that really got me was during Head.Cars.Bending. I mean everyone was headbanging in total sync. It was amazingly connecting everyone together. Especially during the fan-favorite slow-beat Robbers everyone was shouting out the lyrics you look so cold! I really loved the songs where the saxophone player was introduced. It totally brought out a whole new dimension to the vibe in the Coliseum.
These boys really brought their A-game that night and despite their bad-boy attitude with the on-stage cigarettes and alcohol, they showed their surprising compassion when they asked everyone to move back to save the people in front who were like fucking dying in front here mate, to quote Matty.
Overall, The 1975 put on a fantastic show, appropriately ending off with the hits Chocolate and Sex. It was just absolutely amazing to see The 1975 live in front of us and we hope they come back soon. As they promised.
Check out our Facebook page for more pictures of The 1975 live in action!
Photo credits: Dominic Phua and Marcus Lin for Now/Live
I first heard of Ellie Goulding when I was living in London in 2010. Back then, she was just a new and upcoming British singer. Fast forward a few years later, she is now a household name with two chart-topping albums with millions of fans all over the world.
This is the second time Goulding graced our shores and it is obvious that her fanbase has increased tremendously. Dressed in a white top, high waisted black pants, heavy flat black boots, the British songstress opened the show with the bombastic Figure 8. Supported by a four-piece band, she sang in her trademark nasally voice.
When she performs, there are no costume changes and no back-up dancers like there might be at a recent Taylor Swift concert that I attended – she gets the crowd going simply with her voice and her songs.
She kept the energy high with Ritual and Goodness Gracious, a recent single co-written with Nate Ruess of Fun, and creating a synth-heavy club feel with Animal. The middle section of the set was slower-paced as she eased into acoustic versions of Gun and Horses and her most recent single Beating Heart, from the Divergent movie soundtrack.
The audience remained captivated as her husky tones remained pitch perfect throughout the night. My favourite part of the night was her signature cover of Elton John’s Your Song. It never fails to touch my heart each time I listen to it.
Goulding finished the night off with her big hit Burn and fans left the concert venue with smiles on their faces after the show - a sure sign of a successful concert.
Here are the top 5 best moments that happened during Ellie Goulding’s concert:
1. The crowd sang along to every word during Anything Could Happen.
2. Ellie showing off her brilliant guitar and drum skills occasionally throughout her set.
3. When Ellie sang I Need Your Love, the entire venue turned into one big dance floor. The crowd were dancing and going crazy!
4. The crowd lit up the darkness, holding their mobile phone lights in the air, as Ellie ended her set with a rendition of Lights.
5. Ellie promised that she would be back during the concert so we can expect a third concert in the future.
1. Figure 8
3. Goodness Gracious
5. Starry Eyed
6. Stay Awake
7. Tessellate / Life Round Here
8. Guns and Horses (Acoustic)
9. Beating Heart (Acoustic)
10. Your Song (Elton John cover)
11. The Writer
13. My Blood
14. Bad Girls / Salt Skin
15. Only You
16. Every Time You Go / This Love (Will Be Your Downfall)
17. Anything Could Happen
18. I Need Your Love
20. You My Everything
Visit our Facebook page for more photos of Ellie Goulding in action!
Photo credits: Marcus Lin for Now/Live
She came, she sang, she conquered. Our affair with her was short and (bitter)sweet, still swirling in our memories like how a certain blackforest flavoured ice-cream left its taste on our tongues.
Country-pop darling Taylor Swift brought the house down in the Singapore Indoor Stadium on a Monday night. How’s that for killing the Monday blues, with the RED tour?
Last seen here in 2011, Swift’s fanbase has increased exponentially – this first show was added in at the last minute but it was sold out completely. The hype speaks for itself. Taylor commanded an entire army of fans, 12,000 strong, right from the moment her sihoulette was casted onto the red drapes on stage.
We hear the first line of State of Grace.
And the curtains were drawn – revealing the star on the top of a wrought staircase, all part of an elaborate stage set-up.
This is it; this is her. It’s Taylor Swift. She is the State of Grace.
This was the exact moment I could pinpoint where I felt like I was in one of her live music videos – incredible. I must admit, we all made fun of her love life, but when you hear the songs about boys who broke her heart, there is a part of you hidden somewhere that says, “Hey, he deserved it.” And she’s seriously so good at doing this; you just got to hand it to her.
Taylor looked every inch the beloved PG-approved popstar that she is, with a freakishly cute bob and her pouty red lips. (Score! This hairstyle wins all the others she had.)
Dressed in a creamy light-brown blouse and her classic high-waisted leather shorts, she strut down down the catwalk and sent us all into her Red World. Plus, her black floppy hat makes her look like she was just lifted straight out of Forever 21’s catalog. And lucky fangirl in the front row got the hat!
The reactions upon her was as if the stage was Holy Ground and if they could kiss it, they would.
We all know Taylor’s mastery of the guitar, piano and banjo, but drums? There was no doubt about that. Swifty thumped hard to the bass line of the song with her backup dancers, the power of each beat sending shivers (the good kind) rippling through the hearty audience.
After all, this was the Red Tour, and the colour symbolizes passion and love – everything Taylor Swift stands for right? (But to a nonchalant person, he/she’d think we were at a National Day Parade celebration.)
Taylor belted out her lines in Red, besting each one that comes before the last. The guitar solo later would induce an adrenaline rush in the crowd akin to driving a new Maserati down a racetrack instead.
That was just the first act. Tay Tay is indeed living up to her last name with her costume changes. She reappeared soon enough donning a gorgeous red gown with a plunging neckline in a Hollywood set-up. Photographers in trenchcoats flashing their clunky cameras at her were reminiscent of Gaga’s Paparazzi.
Taylor sang the story of The Lucky One, following it up with Mean on her banjo. This time, she kept her red gown top on, and wore a simple white satin skirt for the bottom. Sweat is shining on her face all right, but everything else (read: hair, makeup, costume) remains immaculate. How?!
I don’t know about you, but does it feel like a perfect night to dress up like hipsters and make fun of our exes? Well for Taylor, at least it was. (But I’m pretty sure your exes will be glad you’re an ex if you dress like hipsters no?)
22 was everything fun, pop and playful. But most of all, it was a song that reminded us all again of how young and minted she is. You Belong With Me was a worthy throwback number, which was another crowd favourite too. Taylor's "I Love Singapore" tee still can't beat the fact that her mum actually grew up in Singapore. Mama Swift, represent!
Next came the “surprise song” of the evening, and boy oh boy it was truly a nostalgic surprise. Taylor brought us back in time with her classic heartbreak anthem Teardrops On My Guitar. She strummed, we sang, all without missing a beat, like it was 2007 again and she was still a small town girl hung up on dear old Drew.
That goes to show that fame can’t erode your roots.
After a quick transition into Sparks Fly, Taylor did magic again. However, she would return with what was perhaps the best performance of the night. Scratch that. (Kanye voice) OF. ALL. TIME. *Mic drop*
Forget princess-in-a-fairy-tale, we want the Rebel Taylor.
Introduced by an electric violin instrumental, Taylor busted out a sick dubstep version of I Knew You Were Trouble. She swooped in with a fancy white gown, tearing it off later to reveal a conservatively sexy black corset outfit. A killer act, truly. Any longer and I believe Optimus Prime and his gang of Transformers will arrive soon as her backup crew.
I concede. Taylor’s not a singer, she’s a performer studded with star qualities that skyrocketed her to well-deserved success. And I must add, her dance skills have improved enormously too. More tips from Ellie Goulding, less from Lorde I hope!
Taylor also let us in on her personal songwriting process before segueing into her rendition of All Too Well.
The notes tinkling on the piano slowly climbed into the emotional climax of the night, and right there and then you could see Taylor being "haunted by the good times and the bad, and unable to forget them".
Love Story was poetry in motion, Miss Swift acing her form searching for her stage Romeo - down the spiral staircases and in her flowy cream dress. Truth be told girls want to be her, guys want to... not be the man of her songs.
Lo and behold the final act of the show: Taylor ditched her man and went off prancing for greener pastures.
It was an extravaganza very much like a cross between Cirque du Soleil and Alice in Wonderland. Taylor seemed every bit the regal circus mistress dishing out the breakup hit We Are Never Ever Getting Back Together. Fellow writer Zi Wei and I definitely had fun pretending to be a couple yelling out the lyrics to each other!
Taylor might have her fair share of critics and detractors calling her 'overrated', but you know they can never be 'Taylor Swift overrated' when she can hold her own and rise against those who break her heart.
Before you check out the setlist below, this is what I'm 100% sure everyone says before attending a Taylor Swift concert:
P.S - It was lifechanging.
Act I - Red World
1. State of Grace
2. Holy Ground
Act II - The Lucky One
4. The Lucky One
Act III - Happy, Free, Confused and Lonely / B-Stage
7. You Belong With Me
8. Teardrops On My Guitar
9. Sparks Fly
Act IV - Dark Red
10. I Knew You Were Trouble
11. All Too Well
Act V - Love Story
12. Love Story
Act VI - Circus (Encore)
13. We Are Never Ever Getting Back Together
Photo credit: Cornetto, Taylor Swift's Official Singapore Facebook fanpage, Instagram: @bellaella777, @inspirashion, @shawfearless13, @cleosy, @frhn, Brooklyn 99
Check Yes Singapore! American rock band We The Kings finally flew more than three thousand miles here, marking their first ever trip to this humble island of ours.
As the traditional rock saying ‘Go Hard or go home’ goes, it was only befitting that a band of their apparent measure played at The Coliseum, Hard Rock Hotel. This was a gig 7 years in the waiting - and every day since falling for them in 2007 makes this night all the more sweeter.
The boys looked ecstatic to play for us, although I suspected some of the adrenaline was from the rollercoaster rides they took at Universal Studios. (Did anyone lucky spot them there?)
A great reminder (as if they even needed it) of why they’re The Kings was opening the show with Queen of Hearts, a decent offering in any case. It was also the opening track for their fourth album, Somewhere, Somehow.
Still, that didn’t top my absolute thrill when I heard my personal favourite next. I was hopping up and down like an energizer bunny while fondly yelling out “’Cause if you jump I will jump too!” to Skyway Avenue.
By then, I had the biggest realization of all: their records don’t do them justice.
There are three types of bands live. The first are the ones who can’t play live to um, save their lives. The second are those who play exactly how they sound in studio. No complaints, but no praises for them either.
And the last category belongs to the bands that exceed expectations and outdo themselves. We The Kings, I can say with fierce confidence you are there now!
In concerts, there is always the unexplained beauty of watching each member own their thing and the band coming together at the seams to make
love music (same thing).
#TeamStageRight, Charles really worked the bass in Any Other Way, am I right? Bonus points and shoutouts to all rad CTFxC supporters!
For slow-dance worthy We’ll Be A Dream, it indeed was a dream come true for us to nail Demi Lovato’s part with the quintet. Wait, didn’t Demi perform at The Coliseum too?
Coley did magic on the piano, and so did Travis when he lost us with his lovely smile and soft crooning. *Inserts collective dreamy sighs* We were even treated to an early song, and truth be told, that was their only 7th or 8th time playing it live. Whoa, much?
Trust Travis to ease the awkwardness between concertgoers. His genius method? "Do the most awkward dance ever in your life!” The result was pretty much Taylor Swift-esque dance moves during I Like it, a mess of sweaty bodies and arms tangled all over one another.
And of course another favourite bit of mine was when Travis confessed Secret Valentine was all about sex! Cue gasps, whistles, and embarassed looks on prepubescent fangirls.
I got my arm clawed (thanks, fellow fan) when Travis zipped away from the stage and threw himself, or more like the lower half of his body, in the crowd. With pants that gave up and revealed a fine behind tucked in his boxers, he cheekily admitted things “got sexual” down there.
Now you know who knows how to party! I'm betting my money if there weren't bouncers holding him back, Travis would have definitely crowdsurfed. ELEC-TRI-FYING.
With no hesitation taken, We The Kings dished out more awkward dance ideas in the form of the cringy Sorority Girl Squat. You know the pose they do when they snap a selfie? Butt out, jump high! Oh, yes, all for I Feel Alive.
Again, in every concert, there are fun songs and there’s the most important song. Just Keep Breathing was THE anthem of the night dedicated to “all who felt like you’re not enough”. I definitely heard some sniffles going on in the mesmerized audience.
Bass-heavy Art of War saw some serious headbangin' action from Coley, who was living proof to me that someone can jam out so, so passionately on the keyboard. And may I add, he's killin' it with his sideburns too!
The iconic Jimmy Eat World song was a fantastic surprise, and Travis followed that track up with the flirty acoustic Say You Like Me. Plus - major props to Danny for doing his drum solos every now and then, because only he wields the real power to make us all dance without any music at all. Who says drummers don't kick ass?
To be honest, I was pretty let-down that they skipped Friday Is Forever (but maybe because it’s a Wednesday?), but Sad Song and Stay Young both redeemed the encore.
We know it will not be the last time we scream for you here We The Kings, and it is by no mere coincidence you guys hold that one of heck of a crowning glory in our hearts.
P.S. Charles shook my hand!!
1. Queen of Hearts
2. Skyway Avenue
3. Any Other Way
4. We’ll Be A Dream
6. She Takes Me High
7. I Like It
8. Secret Valentine
9. I Feel Alive
10. Just Keep Breathing
11. Find You There
12. Art of War
13. The Middle (Jimmy Eat World cover)
14. Say You Like Me
15. Sad Song
16. Stay Young
Check out more photos from the show here!
Photo credits: Upsurge Productions, Dawn Chua, Alvin Ho, Lionel Boon, Aloysius Lim
The fourth installment of what has been touted as the largest music festival in Asia, Music Matters Live with HP, kicked off on 21st May with a smorgasbord offering of over 60 different international bands and musicians jamming out over four nights. The bigger names that have been invited include Taiwanese influential rapper MC HotDog, Australia's blues & roots maestro Ash Grunwald, as well as local stars like Sezairi. This year also sees the return of country-focused sets, including Made in Singapore, Canadian Blast, and K-pop Night Out.
I managed to head down to Clarke Quay's Fountain Stage to catch the action during K-pop Night Out. To lump the acts involved into the genre of K-pop was a little puzzling, as they were mostly indie/rock/funk related, but I figured from the standpoint of the event, K-pop would be synonymous with driving footfall. I was unsurprised to see that the audience were of a Korean majority. As Music Matters did not get back to us on our media accreditation, I had to squeeze past to get into the middle of the standing audience in time to catch Sultan of the Disco, an electronic-soul/funk quintet with matching dramatic outfits to boot. The song, Sunday Night Fever, had a very out-of-this-world synth riff that weirdly made you want to start moving on the spot. It didn't help that the band grooved to their songs in an exaggerated chereographed manner. Despite the upbeat vibes the song gave off, its lyrics depicted the wasting away of a weekend in bed watching TV and drinking, and the reluctance of accepting the arrival of Monday. Oriental Disco was also another track that even without knowing what they were singing about, was a mysteriously seductive number with the falsettos and spacey synths. You can check out one of their live performances to get a feel of how they are here.
Lim Kim, or Kim Ye Rim, was the next performer on stage. At 20, she is at the peak of her youth and the gorgeous singer took to the stage with her debut hit, All Right. Having lived in New Jersey for a while, she communicated to the audience in fluent English, and introduced herself and her hope that those who didn't know her then would get to understand her better through her music. Her husky vocals were at points of time overwhelmed by the BGM track, and the awkward dancing just felt a little offbeat for someone who could actually sing. However, her genuine sincerity at wanting to put in a great performance was apparent, and she did manage to capture the mood in Colorring. However, her last song, Goodbye 20, was the one that was more popular with the audience, perhaps due to the theme of having to say goodbye to her teenage years and the trepidation of becoming a lady.
After some slight technical problems, pop-rock four-piece Daybreak (데이브레이크) smoothly went into their first number, Shall We Dance? Main vocalist Lee Won Suk had a smooth vibrato and was able to alternate between falsetto and his head voice perfectly. It was just magical hearing them perform, as the mid-tempo, feel-good melody filled the night. My favourite performance of the night would have to be their biggest hit to date, It's Good (좋다), which was explained as a phrase that had many meanings in Korean (i.e: It's great / I like you) and they called for the audience to sing the chorus together. Their harmonies were in sync and definitely complementary, and the songs allowed for each member of the band to showcase their musicality. Their last song, Love Actually (들었다 놨다) garnered the loudest cheers, and indeed, the song was a raucous one with an immensely catchy chorus.
It was definitely a great night, and unfortunately I couldn't stay to catch Jaurim belting out their rock tunes, but luckily we can catch all the acts on YouTube and relive the great night out, here: